For example, if you need to punch into an existing track with sample accuracy, it is best to use your main Playback Engine. However, it will not have the same performance characteristics as your main Playback Engine: latency will be higher and may not be consistent between playback passes. Aux I/O is a utility that allows you to send and receive audio to and from your session. It is important to understand what Aux I/O is, and what it isn’t. You can even route your system audio into Pro Tools with ease. Use it to preview audio from your sound library, access audio from AU plugins with Apple MainStage, or pull in a binaural re-render from the Dolby Atmos® Production Suite and send it to a headphone feed. During development, we realized that there was a bigger feature here, which could solve a lot of other problems, such as piping audio between applications or other hardware interfaces on the same machine. We were hearing endless tales of people wanting to incorporate things like Zoom, NoMachine, and Evercast into Pro Tools the need was everywhere. This idea was conceived near the start of the pandemic. This feature has varying channel counts for Pro Tools Ultimate, Studio, and Artist. These will show up as additional devices in I/O Setup, just like any other interface. AUX I/OĪux I/O is a Pro Tools macOS feature that allows you to add any Core Audio devices as extra inputs and outputs to your current Playback Engine. Let’s take a closer look at some of these-be sure to also check out the What’s New in Pro Tools 2022.9 doc for a deeper dive on how to use these new features. Quantize Toolbar controls in Edit and MIDI Editor windows. Increased marker count from 999 to 32,000.
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